Ulrich Adelt, Ph.D.
Affiliations: | 2007 | American Studies | University of Iowa, Iowa City, IA |
Area:
American Studies, Black History, Music, Ethnic and Racial StudiesGoogle:
"Ulrich Adelt"Parents
Sign in to add mentor| Jane C. Desmond | grad student | 2007 | University of Iowa | |
| (Black, white and blue: Racial politics of blues music in the 1960s.) | ||||
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Publications
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| Adelt U. (2017) Jack Hamilton. Just around Midnight: Rock and Roll and the Racial Imagination. The American Historical Review. 122: 1264-1265 |
| Adelt U. (2017) Displaying the Guitar: The Rock and Roll Hall of Fame and the Museum of Pop Culture Rock Music Studies. 4: 207-220 |
| Adelt U. (2013) Germany in the Loud Twentieth Century: An Introduction Popular Music and Society. 36: 132-134 |
| Adelt U. (2012) Stunde Null: Postwar German Identity in the Music of Michael Rother and Klaus Dinger Journal of Popular Music Studies. 24: 39-56 |
| Adelt U. (2012) Machines with a Heart: German Identity in the Music of Can and Kraftwerk Popular Music and Society. 35: 359-374 |
| Adelt U. (2011) Black, white, and blue: racial politics in B.B. King's music from the 1960s. The Journal of Popular Culture. 44: 195-216 |
| Adelt U. (2008) Germany Gets the Blues: Negotiations of "Race" and Nation at the American Folk Blues Festival American Quarterly. 60: 951-974 |
| Adelt U. (2008) Trying to Find an Identity: Eric Clapton's Changing Conception of “Blackness” Popular Music and Society. 31: 433-452 |