Federica Bressan
Affiliations: | Ghent University, Ghent, Vlaanderen, Belgium |
Area:
computer science, digital humanities, cultural heritageGoogle:
"Federica Bressan"Parents
Sign in to add mentor| Sergio Canazza | post-doc | 2013-2015 | University of Padua | |
| (Best mentor you'll ever get.) | ||||
BETA: Related publications
See more...
Publications
|
You can help our author matching system! If you notice any publications incorrectly attributed to this author, please sign in and mark matches as correct or incorrect. |
| Bressan F, Declercq B. (2018) Digital philology: Introduction to the special issue Journal of New Music Research. 47: 275-277 |
| Maes P, Lorenzoni V, Moens B, et al. (2018) Embodied, participatory sense-making in digitally-augmented music practices : theoretical principles and the artistic case “SoundBikes” Critical Arts. 32: 77-94 |
| Bressan F, Canazza S, Declercq B. (2017) Digital Philology for Multimedia Cultural Heritage Journal of New Music Research. 46 |
| Vets T, Nijs L, Lesaffre M, et al. (2017) Gamified music improvisation with BilliArT: a multimodal installation with balls Journal On Multimodal User Interfaces. 11: 25-38 |
| Fantozzi C, Bressan F, Pretto N, et al. (2017) Tape music archives: from preservation to access International Journal On Digital Libraries. 18: 233-249 |
| Bressan F, Bertani R, Furlan C, et al. (2016) An ATR-FTIR and ESEM study on magnetic tapes for the assessment of the degradation of historical audio recordings Journal of Cultural Heritage. 18: 313-320 |
| Bressan F, Canazza S. (2014) The challenge of preserving interactive sound art: a multi-level approach International Journal of Arts and Technology. 7: 294-315 |
| Bressan F, Canazza S. (2013) A systemic approach to the preservation of audio documents: methodology and software tools Journal of Electrical and Computer Engineering. 2013: 5 |
| Bressan F, Canazza S, Rodà A, et al. (2013) Pavarotti Sings Again: A Multidisciplinary Approach to the Active Preservation of the Audio Collection at the Arena di Verona Journal of New Music Research. 42: 364-380 |