Roger A. Kendall
Affiliations: | University of California, Los Angeles, Los Angeles, CA |
Area:
Music, Linguistics LanguageGoogle:
"Roger Kendall"Children
Sign in to add traineeTakahiro Aoyagi | grad student | 2001 | UCLA |
Panteleimon N. Vassilakis | grad student | 2001 | UCLA |
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Publications
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Wallmark Z, Iacoboni M, Deblieck C, et al. (2018) Embodied Listening and Timbre Music Perception. 35: 332-363 |
Kendall RA, Vassilakis PN. (2010) Perception and acoustical analyzes of traditionally orchestrated musical structures versus non‐traditional counterparts. Journal of the Acoustical Society of America. 128: 2344-2344 |
Kendall RA. (2010) Music in film and animation: Experimental semiotics applied to visual, sound and musical structures Proceedings of Spie - the International Society For Optical Engineering. 7527 |
Vassilakis PN, Kendall RA. (2010) Psychoacoustic and cognitive aspects of auditory roughness: Definitions, models, and applications Proceedings of Spie - the International Society For Optical Engineering. 7527 |
Vassilakis P, Kendall RA. (2008) Auditory roughness profiles and musical tension/release patterns in a Bosnian ganga song. Journal of the Acoustical Society of America. 124: 2448-2448 |
Kendall R, Vassilakis P. (2006) Perceptual acoustics of consonance and disssonance in multitimbral triads Journal of the Acoustical Society of America. 120: 3276-3276 |
Kendall RA. (2002) Hypersignal analyses of orchestral instrument signals as correlated with perception of timbre Journal of the Acoustical Society of America. 112: 2239-2239 |
Kendall RA. (2000) Patterns of spectra and timbre in musical context Journal of the Acoustical Society of America. 107: 2818-2818 |
Kendall RA. (1999) Edward C. Carterette, 1921-1999 Music Perception: An Interdisciplinary Journal. 17: 1-4 |
Kendall RA, Carterette EC, Hajda JM. (1999) Perceptual and acoustical features of natural and synthetic orchestral instrument tones Music Perception. 16: 327-364 |