Christopher Innes
Affiliations: | York University, Toronto, Ontario, Canada |
Area:
Comparative Literature, English Literature, American Literature, CinemaGoogle:
"Christopher Innes"Children
Sign in to add trainee| Peter L. Paolucci | grad student | 2000 | York University |
| Richardine G. Woodall | grad student | 2004 | York University |
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Publications
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| Innes C. (2015) Modernism George Bernard Shaw in Context. 151-159 |
| Innes C. (2014) Clowns, the Circus and Avant-garde Theatre Journal of Cultural and Religious Studies. 2 |
| Innes C. (2014) Bernard Shaw as Artist-Fabian The European Legacy. 19: 393-396 |
| Innes C. (2012) Strindberg's radical aesthetics Scandinavian Studies. 84: 359-372 |
| Innes C, Bean JM, Moore PS, et al. (2009) Reviews: The Lord Chamberlain Regrets…: A History of British Theatre Censorship., Fantasies of Empire: The Empire Theatre of Varieties and the Licensing Controversy of 1894, the Cinema of Attractions Reloaded., Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914., Fight Pictures: A History of Boxing and Early Cinema Nineteenth-Century Theatre and Film. 36: 74-88 |
| Innes C. (2007) Towards a post-millennial mainstream? Documents of the times Modern Drama. 50: 435-452 |
| Innes C. (2006) Allegories from the past: Stoppard's uses of history Modern Drama. 49: 223-237 |
| Innes C. (2005) Puppets and machines of the mind: Robert Lepage and the modernist heritage Theatre Research International. 30: 124-138 |
| Innes C. (2002) A sourcebook on naturalist theatre German Studies Review. 25: 357 |
| Innes C. (2000) Introduction: Remaking Modern Classics Modern Drama. 43: 248-251 |