Karlheinz Stockhausen
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He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.Website:
http://en.wikipedia.org/wiki/Karlheinz_StockhausenGoogle:
"Karlheinz Stockhausen"Parents
Sign in to add mentor| Olivier Messiaen | grad student | Conservatoire de Paris | |
| Werner Meyer-Eppler | grad student | University of Bonn (Physics Tree) |
Children
Sign in to add trainee| Luca Francesconi | grad student | ||
| Gerard Grisey | grad student | ||
| Helmut Lachenmann | grad student | ||
| Tomás Marco | grad student | ||
| Wolfgang Rihm | grad student | ||
| Benjamin Shwartz | grad student |
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Publications
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| Stockhausen K. (1971) The Origins of Electronic Music The Musical Times. 112: 649 |
| Smalley R, Stockhausen, Kontarsky A, et al. (1971) Kontakte; Refrain for Three Players for Electronic Sounds, Piano and Percussion The Musical Times. 112: 148 |
| Stockhausen K, Barkin E. (1962) The Concept of Unity in Electronic Music Perspectives of New Music. 1: 39 |
| Newlin D, Eimert H, Stockhausen K. (1960) Die Reihe: A Periodical Devoted to Developments in Contemporary Music. Vol. III: Musical Craftsmanship Notes. 17: 580 |
| Jacobs A, Eimert H, Stockhausen K. (1959) Die Reihe (English Edition): Electronic Music The Musical Times. 100: 19 |
| Newlin D, Eimert H, Stockhausen K. (1959) Die Reihe: A Periodical Devoted to Developments in Contemporary Music. Vol. II: Anton Webern Notes. 16: 257 |
| Helm E, Eimert H, Stockhausen K. (1959) Die Reihe. Vol. I: Electronic Music@@@Die Reihe. Vol. II: Anton Webern Journal of Music Theory. 3: 155 |
| Newlin D, Eimert H, Stockhausen K. (1958) Die Reihe; A Periodical Devoted to Developments in Contemporary Music. Vol. I: Electronic Music Notes. 15: 405 |