Jann Pasler
Affiliations: | University of California, San Diego, La Jolla, CA |
Area:
Music, Ethnic and Racial StudiesGoogle:
"Jann Pasler"Children
Sign in to add trainee| Ivan Raykoff | grad student | 2002 | UCSD |
| Charles Kronengold | grad student | 2003 | UCSD |
| Nina S. Eidsheim | grad student | 2008 | UCSD |
| Alexander G. Obrecht | grad student | 2008 | UCSD |
| Gascia Ouzounian | grad student | 2008 | UCSD |
| Zeynep Bulut | grad student | 2011 | UCSD |
| Christopher J. Tonelli | grad student | 2011 | UCSD |
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Publications
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| Pasler J. (2012) Debussy the Man, His Music, and His Legacy: An Overview of Current Research Notes. 69: 197-216 |
| Pasler J. (2012) Rachel Cowgill, David Cooper, Clive Brown, eds. Art and Ideology in European Opera: Essays in Honour of Julian Rushton (Woodbridge, UK: Boydell & Brewer, 2010). xv+413 pp. £60.00. Nineteenth-Century Music Review. 9: 332-336 |
| Pasler J. (2008) Review: Musical Encounters at the 1889 Paris World's Fair by Annegret Fauser Journal of the American Musicological Society. 61: 438-445 |
| Pasler J. (2007) Deconstructing d'Indy, or the Problem of a Composer's Reputation 19th-Century Music. 30: 230-256 |
| Pasler J. (2007) Theorizing Race in Nineteenth-Century France: Music as Emblem of Identity The Musical Quarterly. 89: 459-504 |
| Pasler J. (2005) Déconstruire d'Indy Revue De Musicologie. 91: 369-400 |
| Pasler J. (2004) The Utility of Musical Instruments in the Racial and Colonial Agendas of Late Nineteenth-Century France Journal of the Royal Musical Association. 129: 24-76 |
| Pasler J. (1992) Some Thoughts on Susan McClary's "Feminine Endings" Perspectives of New Music. 30: 202 |
| Pasler J. (1991) New Music as Confrontation: The Musical Sources of Jean Cocteau's Identity The Musical Quarterly. 75: 255-278 |
| Kielian-Gilbert M, Pasler J, Haimo E, et al. (1989) In Counterpoint: Two Stravinsky Books@@@Confronting Stravinsky@@@Stravinsky Retrospectives Perspectives of New Music. 27: 246 |