Jay Ruby
Affiliations: | Anthropology | Temple University, Philadelphia, PA, United States |
Area:
Cultural Anthropology, Scandinavian Studies, Fine ArtsGoogle:
"Jay Ruby"Children
Sign in to add trainee| Kijung Lee | grad student | 2001 | Temple University |
| Alexander J. Baker | grad student | 2002 | Temple University |
| Nora L. Jones | grad student | 2002 | Temple University |
| Matthew S. Durington | grad student | 2003 | Temple University |
| Milton R. Machuca | grad student | 2004 | Temple University |
| Kathryn Ramey | grad student | 2006 | Temple University |
| Stephanie M. Takaragawa | grad student | 2006 | Temple University |
| Sigurjon B. Hafsteinsson | grad student | 2008 | Temple University |
| G I. Gretarsdottir | grad student | 2010 | Temple University |
| Stanislav Shectman | grad student | 2012 | Temple University |
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Publications
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| Ruby J. (2010) A Unique Life in Film Current Anthropology. 51: 891-893 |
| Ruby J. (2008) A future for ethnographic film? Journal of Film and Video. 60: 5-14 |
| Ruby J. (2008) Film as text: A response to Neofotistos (AT 24[4]) Anthropology Today. 24: 22 |
| Ruby J. (2007) Digital Oak Park: an experiment Critical Arts. 21: 321-332 |
| Ruby J. (2005) The last 20 years of visual anthropology – a critical review Visual Studies. 20: 159-170 |
| Ruby J. (1996) Third Voice Films Media International Australia. 82: 12-18 |
| Ruby J. (1995) The Moral Burden of Authorship In Ethnographic Film Visual Anthropology Review. 11: 77-82 |
| Ruby J, Brigard ED, Gladney DC. (1994) Film as Ethnography/Innovation in Ethnographic Film: From Innocence to Self‐Consciousness/The Cinema of John Marshall/China Turned On; Television, Reform, and Resistance. Visual Anthropology Review. 10: 165-172 |
| Rabinow P, Bohm A, Brigard ED, et al. (1993) The Architectural Uncanny/ The Surreptitious Speech/ The Cinematic Grtot / Ethnographic Film Aesthetics & Narrative Traditions / Deer Camp / Magic Eyes / Partial Recall / Waucoma Twilight Visual Anthropology Review. 9: 141-152 |
| Ruby J. (1980) Exposing yourself: Reflexivity, anthropology, and film Semiotica. 30: 153-180 |