☰

George Legrady

Affiliations: 
Media Arts and Technology University of California, Santa Barbara, Santa Barbara, CA, United States 
Area:
Computer Science, Multimedia Communications, Art History
Google:
"George Legrady"
Tree Publications Similar researchers PubMed Report error

Parents

Sign in to add mentor

Children

Sign in to add trainee
Javier Villegas grad student 2012 UC Santa Barbara
Angus G. Forbes grad student 2014 UC Santa Barbara

Collaborators

Sign in to add collaborator
BETA: Related publications

Publications

You can help our author matching system! If you notice any publications incorrectly attributed to this author, please sign in and mark matches as correct or incorrect.

Legrady G, Forbes AG. (2017) Data in Context: Conceptualizing Site-Specific Visualization Projects Leonardo. 50: 200-204
Forbes AG, Burbano A, Murray P, et al. (2015) Imagining Macondo: Interacting with García Márquez’s Literary Landscape. Ieee Computer Graphics and Applications. 35: 12-9
Forbes AG, Burbano A, Murray P, et al. (2015) Imagining Macondo: Interacting with García Márquez's Literary Landscape Ieee Computer Graphics and Applications. 35: 12-19
Pinter M, Forbes AG, Bazo D, et al. (2015) Generation of engineering research directions through artistic process Lecture Notes of the Institute For Computer Sciences, Social-Informatics and Telecommunications Engineering, Lnicst. 145: 28-35
Villegas J, Legrady G. (2014) Creating coherent animations from video International Journal of Arts and Technology. 7: 148-162
Legrady G. (2012) Culture, Data and Algorithmic Organization Leonardo. 45: 286-286
Villegas J, Legrady G. (2012) Generating time-coherent animations from video data Lecture Notes of the Institute For Computer Sciences, Social-Informatics and Telecommunications Engineering. 101: 108-117
Forbes AG, Höllerer T, Legrady G. (2010) behaviorism: a framework for dynamic data visualization. Ieee Transactions On Visualization and Computer Graphics. 16: 1164-71
Steinheider B, Legrady G. (2004) Interdisciplinary Collaboration in Digital Media Arts: A Psychological Perspective on the Production Process Leonardo. 37: 315-321
See more...