Elaine Chew
Affiliations: | Industrial and Systems Engineering: Doctor of Philosophy | University of Southern California, Los Angeles, CA, United States |
Area:
Artificial Intelligence, MusicGoogle:
"Elaine Chew"Children
Sign in to add traineeArpi Mardirossian | grad student | 2007 | USC |
Ching-Hua Chuan | grad student | 2008 | USC |
Erdem Unal | grad student | 2008 | USC |
BETA: Related publications
See more...
Publications
You can help our author matching system! If you notice any publications incorrectly attributed to this author, please sign in and mark matches as correct or incorrect. |
Herremans D, Chew E. (2019) MorpheuS: Generating Structured Music with Constrained Patterns and Tension Ieee Transactions On Affective Computing. 10: 510-523 |
Sturm BL, Ben-Tal O, Monaghan Ú, et al. (2019) Machine learning research that matters for music creation : a case study Journal of New Music Research. 48: 36-55 |
Herremans D, Chuan C, Chew E. (2017) A Functional Taxonomy of Music Generation Systems Acm Computing Surveys. 50: 69 |
Chew E. (2016) Playing with the Edge: Tipping Points and the Role of Tonality Music Perception: An Interdisciplinary Journal. 33: 344-366 |
Kosta K, Ramírez R, Bandtlow OF, et al. (2016) Mapping between dynamic markings and performed loudness: a machine learning approach Journal of Mathematics and Music. 10: 149-172 |
Chuan C, Chew E. (2014) The Kusc C Lassical Music Dataset For Audio Key Finding The International Journal of Multimedia & Its Applications. 6: 1-18 |
Smith JBL, Schankler I, Chew E. (2014) Listening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances Music Theory Online. 20 |
Chew E. (2014) Music interaction with others as conveyor of relational intent: A response to Cross (2014) Psychology of Music. 42: 826-838 |
Smith JBL, Chuan C, Chew E. (2014) Audio Properties of Perceived Boundaries in Music Ieee Transactions On Multimedia. 16: 1219-1228 |
Chuan CH, Chew E. (2011) Generating and evaluating musical harmonizations that emulate style Computer Music Journal. 35: 64-82 |