Keith Moxey
Affiliations: | Columbia University, New York, NY |
Area:
Art History, Latin American LiteratureGoogle:
"Keith Moxey"Cross-listing: Art History Tree
Parents
Sign in to add mentor| Herbert L. Kessler | grad student | 1974 | Chicago (Art History Tree) | |
| (Pieter Aertsen, Joachim Beuckelaer, and the Rise of Secular Painting in the Context of the Reformation.) | ||||
Children
Sign in to add trainee| Margarita Dikovitskaya | grad student | 2001 | Columbia |
| Ingrid Muan | grad student | 2001 | Columbia |
BETA: Related publications
See more...
Publications
|
You can help our author matching system! If you notice any publications incorrectly attributed to this author, please sign in and mark matches as correct or incorrect. |
| Moxey K. (2009) Mimesis And Iconoclasm Art History. 32: 52-77 |
| Moxey K. (2008) Visual Studies and the Iconic Turn Journal of Visual Culture. 7: 131-146 |
| Cheetham MA, Holly MA, Moxey K. (2005) Visual Studies, Historiography and Aesthetics: Journal of Visual Culture. 4: 75-90 |
| Moxey K. (2004) Impossible Distance: Past and Present in the Study of Durer and Grunewald Art Bulletin. 86: 750-763 |
| Moxey K, Latour B, Weibel P. (2003) Iconoclash : beyond the image wars in science, religion, and art Art Bulletin. 85: 604 |
| Alpers S, Apter E, Armstrong C, et al. (1996) Visual Culture Questionnaire October. 77: 25 |
| Stumpel J, Moxey K. (1995) The Practice of Theory: Poststructuralism, Cultural Politics, and Art History Simiolus: Netherlands Quarterly For the History of Art. 23: 280 |
| Bryson N, Holly MA, Moxey K. (1995) Visual Culture: Images and Interpretations South Atlantic Review. 60: 143 |
| Kelly M, Bal M, Boer I, et al. (1995) The Point of Theory: Practices of Cultural Analysis@@@Deconstruction and the Visual Arts: Art, Media, Architecture@@@Visual Culture: Images and Interpretations@@@The Practice of Theory: Poststructuralism, Cultural Politics, and Art History Art Bulletin. 77: 690 |
| Collins BR, Bryson N, Holly MA, et al. (1992) Visual Theory@@@Visual Theory: Painting and Interpretation Art Journal. 51: 93 |