| Year |
Citation |
Score |
| 2019 |
Kihiko AC, Ogihara M, Ren G, Beauchamp JW. The “dark” energy in-between sonic partials: Parametric estimation and analysis of weak spectral components for musical sound analysis and synthesis The Journal of the Acoustical Society of America. 146: 2909-2909. DOI: 10.1121/1.5137094 |
0.388 |
|
| 2019 |
Nguyen NLT, Lee H, Johnson J, Ogihara M, Ren G, Beauchamp JW. A new auditory image for social media: Moving towards correlation of spectrographic analysis and interpretation with audience perception The Journal of the Acoustical Society of America. 146: 2846-2846. DOI: 10.1121/1.5136876 |
0.35 |
|
| 2019 |
Lee DH, Beauchamp JW. Automatic transcription of solo audio into music notation Journal of the Acoustical Society of America. 145: 1709-1710. DOI: 10.1121/1.5101272 |
0.371 |
|
| 2018 |
Beauchamp JW. Effects created by time-variant spectral processing of sounds Journal of the Acoustical Society of America. 143: 1933-1933. DOI: 10.1121/1.5036318 |
0.49 |
|
| 2017 |
Zhao A, Beauchamp JW. Time-scaling nonvibrato musical tones while preserving timbral texture Journal of the Acoustical Society of America. 142: 2606-2606. DOI: 10.1121/1.5014542 |
0.43 |
|
| 2017 |
Shi Y, Beauchamp JW. Time-scaling vibrato tones while preserving vibrato rate Journal of the Acoustical Society of America. 142: 2606-2606. DOI: 10.1121/1.5014540 |
0.407 |
|
| 2016 |
Beauchamp JW. William J. Strong's musical instrument models Journal of the Acoustical Society of America. 139: 2179-2179. DOI: 10.1121/1.4950475 |
0.396 |
|
| 2015 |
Beauchamp JW, Vijayakumar AK. Estimation of a violin source/filter model Journal of the Acoustical Society of America. 137: 2405-2405. DOI: 10.1121/1.4920759 |
0.45 |
|
| 2015 |
Zhang M, Bocko M, Beauchamp JW. Measurement and analysis of musical vibrato parameters The Journal of the Acoustical Society of America. 137: 2404-2404. DOI: 10.1121/1.4920755 |
0.483 |
|
| 2014 |
Zhang M, Ke F, Beauchamp J, Bocko M. Shaping musical vibratos using multi-modal pedagogical interactions The Journal of the Acoustical Society of America. 136: 2202-2202. DOI: 10.1121/1.4899988 |
0.322 |
|
| 2014 |
Zhang M, Ren G, Bocko M, Beauchamp J. Temporal analysis, manipulation, and resynthesis of musical vibrato The Journal of the Acoustical Society of America. 136: 2202-2202. DOI: 10.1121/1.4899987 |
0.446 |
|
| 2013 |
Beauchamp JW. Computation and simulation of frequency variations in musical instrument sounds Journal of the Acoustical Society of America. 134: 4242-4242. DOI: 10.1121/1.4831597 |
0.475 |
|
| 2013 |
Kausel W, Beauchamp JW, Carral S. Brass instrument power efficiency and the relationship between input impedance and transfer function Journal of the Acoustical Society of America. 133: 3549-3549. DOI: 10.1121/1.4806439 |
0.363 |
|
| 2012 |
Beauchamp JW. Trombone Transfer Functions: Comparison Between Frequency-Swept Sine Wave and Human Performer Input Archives of Acoustics. 37: 447-454. DOI: 10.2478/V10168-012-0056-X |
0.425 |
|
| 2012 |
Bay M, Beauchamp JW. Multiple-timbre fundamental frequency tracking using an instrument spectrum library Journal of the Acoustical Society of America. 132: 1886-1886. DOI: 10.1121/1.4754916 |
0.66 |
|
| 2012 |
Wun S, Horner A, Beauchamp J. Wind instrument sound design with centroid-controlled spectral template synthesis The Journal of the Acoustical Society of America. 131: 3434-3434. DOI: 10.1121/1.4708881 |
0.424 |
|
| 2012 |
Lee C, Horner A, Beauchamp J. Impact of MP3-compression on timbre space of sustained musical instrument tones The Journal of the Acoustical Society of America. 131: 3433-3433. DOI: 10.1121/1.4708878 |
0.385 |
|
| 2011 |
Beauchamp JW. Perceptually Correlated Parameters of Musical Instrument Tones Archives of Acoustics. 36: 225-238. DOI: 10.2478/V10168-011-0018-8 |
0.479 |
|
| 2011 |
Bay M, Beauchamp JW. Methods for separating harmonic instruments from a monaural mix Journal of the Acoustical Society of America. 130: 2351-2351. DOI: 10.1121/1.3654416 |
0.689 |
|
| 2011 |
Lee C, Horner A, Beauchamp JW. Discrimination of instrument tones resynthesized with piecewise‐linear approximated harmonic amplitude envelopes. The Journal of the Acoustical Society of America. 129: 2582-2582. DOI: 10.1121/1.3588534 |
0.404 |
|
| 2009 |
Horner AB, Beauchamp JW, So RH. Detection of time-varying harmonic amplitude alterations due to spectral interpolations between musical instrument tones. The Journal of the Acoustical Society of America. 125: 492-502. PMID 19173434 DOI: 10.1121/1.3025916 |
0.455 |
|
| 2009 |
Beauchamp JW, Horner AB, So RHY. Auditory effect of perturbing musical tones by interpolation with other musical tones. The Journal of the Acoustical Society of America. 125: 2683-2683. DOI: 10.1121/1.4784253 |
0.466 |
|
| 2009 |
Beauchamp JW, Horner AB, Hall MD. Recent research in musical timbre perception. The Journal of the Acoustical Society of America. 126: 2235. DOI: 10.1121/1.3249183 |
0.46 |
|
| 2009 |
Horner AB, Beauchamp JW, So RHY. Erratum: Detection of time-varying harmonic amplitude alterations due to spectral interpolations between musical instrument tones [J. Acoust. Soc. Am. 125, 492 (2009)] The Journal of the Acoustical Society of America. 126: 2814-2814. DOI: 10.1121/1.3238163 |
0.469 |
|
| 2008 |
Beauchamp JW, Bay M. Timbre transposition based on time‐varying spectral analysis of continuous monophonic audio and precomputed spectral libraries Journal of the Acoustical Society of America. 123: 3805-3805. DOI: 10.1121/1.2935510 |
0.687 |
|
| 2007 |
Bay M, Beauchamp JW. A method for multiple F0 detection of continuous audio with dissimilar timbres Journal of the Acoustical Society of America. 122: 2961-2961. DOI: 10.1121/1.2942552 |
0.64 |
|
| 2007 |
Herman G, Beauchamp J. Error correction and accuracy scaling for a joint subtraction multiple fundamental frequency estimation algorithm Journal of the Acoustical Society of America. 122: 2961-2961. DOI: 10.1121/1.2942551 |
0.343 |
|
| 2007 |
Beauchamp JW, Bay M. What to do with a five‐track woodwind quintet Journal of the Acoustical Society of America. 122: 2944-2944. DOI: 10.1121/1.2942483 |
0.616 |
|
| 2006 |
Beauchamp JW, Horner AB, Koehn H, Bay M. Multidimensional scaling analysis of centroid‐ and attack/decay‐normalized musical instrument sounds Journal of the Acoustical Society of America. 120: 3276-3276. DOI: 10.1121/1.4777232 |
0.673 |
|
| 2006 |
Beauchamp JW. Musical Acoustics: Brass Acoustics—Is Propagation Linear or Nonlinear? Acoustics Today. 2: 52. DOI: 10.1121/1.2961135 |
0.314 |
|
| 2005 |
Beauchamp JW, Horner AB. Effect of critical‐band smoothing of musical instrument spectral data The Journal of the Acoustical Society of America. 117: 2476-2476. DOI: 10.1121/1.4787577 |
0.437 |
|
| 2005 |
Bay M, Beauchamp JW. Polyphonic pitch detection and instrument separation Journal of the Acoustical Society of America. 118: 1948-1949. DOI: 10.1121/1.4781245 |
0.672 |
|
| 2004 |
Horner A, Beauchamp J, So R. Detection of random alterations to time-varying musical instrument spectra. The Journal of the Acoustical Society of America. 116: 1800-10. PMID 15478447 DOI: 10.1121/1.1778741 |
0.408 |
|
| 2004 |
Beauchamp JW. Spectrum‐based analysis and synthesis of percussion sounds Journal of the Acoustical Society of America. 116: 2530-2530. DOI: 10.1121/1.4785097 |
0.385 |
|
| 2003 |
Beauchamp JW, Horner A. Error metrics for predicting discrimination of original and spectrally altered musical instrument sounds The Journal of the Acoustical Society of America. 114: 2325-2325. DOI: 10.1121/1.4781005 |
0.394 |
|
| 2003 |
Beauchamp JW. Music 4C, a multi‐voiced synthesis program with instruments defined in C Journal of the Acoustical Society of America. 113: 2215-2215. DOI: 10.1121/1.4780252 |
0.349 |
|
| 2002 |
Ehmann AF, Beauchamp JW. Musical sound analysis/synthesis using vector‐quantized time‐varying spectra Journal of the Acoustical Society of America. 112: 2239-2240. DOI: 10.1121/1.4778887 |
0.452 |
|
| 2002 |
Beauchamp JW. Easily extensible unix software for spectral analysis, display, modification, and synthesis of musical sounds Journal of the Acoustical Society of America. 112: 2238-2238. DOI: 10.1121/1.4778876 |
0.457 |
|
| 2001 |
Beauchamp JW, Zheng H, Lee B, Lakatos S. A versatile wavetable‐based model for synthesis of piano tones Journal of the Acoustical Society of America. 110: 2691-2692. DOI: 10.1121/1.4777252 |
0.433 |
|
| 2001 |
Beauchamp JW, Taube H, Tipei S, Wyatt SA, Haken L, Hasegawa-Johnson M. Acoustics, Audio, and Music Technology Education at the University of Illinois at Urbana‐Champaign The Journal of the Acoustical Society of America. 110: 2626-2626. DOI: 10.1121/1.4776867 |
0.389 |
|
| 2001 |
Lakatos S, Beauchamp JW. Loudness‐independent cues to object striking force Journal of the Acoustical Society of America. 109: 2289-2289. DOI: 10.1121/1.4744013 |
0.317 |
|
| 2000 |
Beauchamp JW. Spectro‐temporal control parameters for synthetic orchestra applications Journal of the Acoustical Society of America. 108: 2538-2538. DOI: 10.1121/1.4743404 |
0.432 |
|
| 2000 |
Beauchamp JW, Madden TJ. A real‐time/non‐real‐time spectrum analyzer for musical sounds Journal of the Acoustical Society of America. 107: 2843-2843. DOI: 10.1121/1.429188 |
0.426 |
|
| 2000 |
Lakatos S, Beauchamp J. Extended perceptual spaces for pitched and percussive timbres Journal of the Acoustical Society of America. 107: 2882-2882. DOI: 10.1121/1.428709 |
0.382 |
|
| 2000 |
WRIGHT M, BEAUCHAMP J, FITZ K, RODET X, RÖBEL A, SERRA X, WAKEFIELD G. Analysis/synthesis comparison Organised Sound. 5: 173-189. DOI: 10.1017/S1355771800005070 |
0.391 |
|
| 1999 |
McAdams S, Beauchamp JW, Meneguzzi S. Discrimination of musical instrument sounds resynthesized with simplified spectrotemporal parameters. The Journal of the Acoustical Society of America. 105: 882-97. PMID 9972573 DOI: 10.1121/1.426277 |
0.511 |
|
| 1999 |
Zheng H, Beauchamp JW. Spectral characteristics and efficient critical‐band‐associated group synthesis of piano tones Journal of the Acoustical Society of America. 106: 2141-2142. DOI: 10.1121/1.427323 |
0.453 |
|
| 1999 |
Beauchamp JW. A comparison of wind instrument time‐variant spectra Journal of the Acoustical Society of America. 105: 938-938. DOI: 10.1121/1.426326 |
0.459 |
|
| 1999 |
Beauchamp JW. Timbral effect of parameter interchange between musical instrument types Journal of the Acoustical Society of America. 105: 1273-1273. DOI: 10.1121/1.426082 |
0.392 |
|
| 1998 |
Beauchamp JW. Musical instrument synthesis by nonregenerative nonlinear processing Journal of the Acoustical Society of America. 103: 3042-3042. DOI: 10.1121/1.422610 |
0.437 |
|
| 1998 |
Beauchamp JW. Methods for measurement and manipulation of timbral physical correlates Journal of the Acoustical Society of America. 103: 2966-2966. DOI: 10.1121/1.422372 |
0.391 |
|
| 1997 |
Beauchamp JW, McAdams S, Meneguzzi S. Perceptual effects of simplifying musical instrument sound time‐frequency representations Journal of the Acoustical Society of America. 101: 3167-3167. DOI: 10.1121/1.419120 |
0.501 |
|
| 1997 |
BEAUCHAMP J, HORNER A. Spectral modelling and timbre hybridisation programs for computer music Organised Sound. 2: 253-258. DOI: 10.1017/S135577189800908X |
0.449 |
|
| 1996 |
Beauchamp JW. Inference of nonlinear effects from spectral measurements of wind instrument sounds. Journal of the Acoustical Society of America. 99: 2455-2457. DOI: 10.1121/1.415470 |
0.385 |
|
| 1996 |
Horner A, Beauchamp J. A genetic algorithm-based method for synthesis of low peak amplitude signals Journal of the Acoustical Society of America. 99: 433-443. DOI: 10.1121/1.414555 |
0.372 |
|
| 1995 |
Irwin JH, Beauchamp JW. Computer simulation of drum sounds Journal of the Acoustical Society of America. 98: 2956-2956. DOI: 10.1121/1.414042 |
0.373 |
|
| 1995 |
Beauchamp JW. Computer modal analysis of percussion sounds: A preliminary study Journal of the Acoustical Society of America. 98: 2956-2956. DOI: 10.1121/1.414041 |
0.355 |
|
| 1994 |
Beauchamp J, Horner A. Derivation of a synthesis model from time‐variant spectral analysis The Journal of the Acoustical Society of America. 95: 2936-2936. DOI: 10.1121/1.409166 |
0.452 |
|
| 1994 |
Maher RC, Beauchamp JW. Fundamental frequency estimation of musical signals using a two-way mismatch procedure Journal of the Acoustical Society of America. 95: 2254-2263. DOI: 10.1121/1.408685 |
0.483 |
|
| 1993 |
Horner A, Beauchamp J, Haken L. Machine Tongues XVI: Genetic Algorithms and Their Application to FM Matching Synthesis Computer Music Journal. 17: 17. DOI: 10.2307/3680541 |
0.388 |
|
| 1993 |
Beauchamp JW, Horner A. Dynamic spectral envelope synthesis of trumpet tones The Journal of the Acoustical Society of America. 94: 1834-1834. DOI: 10.1121/1.407754 |
0.479 |
|
| 1992 |
Maher RC, Beauchamp JW. Frequency tracking of solo and duet passages using a harmonic two‐way mismatch procedure Journal of the Acoustical Society of America. 92: 2429-2429. DOI: 10.1121/1.404628 |
0.447 |
|
| 1991 |
Beauchamp JW. Analysis–synthesis of musical sounds on a desktop computer. Journal of the Acoustical Society of America. 90: 2337-2337. DOI: 10.1121/1.402206 |
0.423 |
|
| 1990 |
Beauchamp JW. Interfamily timbral differences: A comparison of trombone and flute tone spectra Journal of the Acoustical Society of America. 88. DOI: 10.1121/1.2028837 |
0.445 |
|
| 1990 |
Maher R, Beauchamp J. An investigation of vocal vibrato for synthesis Applied Acoustics. 30: 219-245. DOI: 10.1016/0003-682X(90)90045-V |
0.478 |
|
| 1988 |
Beauchamp JW, Maher RC. Partial synchrony in musical sounds: Some recent results using time‐variant spectral analysis Journal of the Acoustical Society of America. 84. DOI: 10.1121/1.2025648 |
0.363 |
|
| 1988 |
Maher R, Beauchamp J. Is there a single vibrato waveform Journal of the Acoustical Society of America. 83. DOI: 10.1121/1.2025302 |
0.421 |
|
| 1988 |
Beauchamp JW. Wind instrument transfer responses Journal of the Acoustical Society of America. 83. DOI: 10.1121/1.2025192 |
0.371 |
|
| 1987 |
Maher R, Beauchamp J. A microcomputer‐based demonstration system for musical acoustics education Journal of the Acoustical Society of America. 81. DOI: 10.1121/1.2024193 |
0.402 |
|
| 1983 |
Beauchamp JW. Use of data reduction in computer music Journal of the Acoustical Society of America. 74. DOI: 10.1121/1.2020842 |
0.355 |
|
| 1982 |
Beauchamp JW. Data reduction and resynthesis of connected solo passages using frequency, amplitude, and “brightness” detection and the nonlinear synthesis technique Journal of the Acoustical Society of America. 71. DOI: 10.1121/1.2019162 |
0.42 |
|
| 1979 |
Beauchamp J. Brass Tone Synthesis by Spectrum Evolution Matching with Nonlinear Functions Computer Music Journal. 3: 35. DOI: 10.2307/3680282 |
0.337 |
|
| 1979 |
Beauchamp J. Practical Sound Synthesis Using a Nonlinear Processor (Waveshaper) and a High-Pass Filter Computer Music Journal. 3: 42. DOI: 10.2307/3679796 |
0.42 |
|
| 1969 |
Beauchamp JW. Nonlinear Characteristics of Brass Tones Journal of the Acoustical Society of America. 46: 98-98. DOI: 10.1121/1.1973734 |
0.364 |
|
| 1969 |
Beauchamp JW. Time‐variant spectra of violin tones Journal of the Acoustical Society of America. 46: 123-123. DOI: 10.1121/1.1973428 |
0.514 |
|
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