Karlheinz Stockhausen - Publications
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He is known for his ground-breaking work in electronic music, aleatory (controlled chance) in serial composition, and musical spatialization.Website:
http://en.wikipedia.org/wiki/Karlheinz_StockhausenYear | Citation | Score | |||
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1971 | Stockhausen K. The Origins of Electronic Music The Musical Times. 112: 649. DOI: 10.2307/957006 | 0.332 | |||
1971 | Smalley R, Stockhausen, Kontarsky A, Stockhausen K, Caskel C. Kontakte; Refrain for Three Players for Electronic Sounds, Piano and Percussion The Musical Times. 112: 148. DOI: 10.2307/956367 | 0.309 | |||
1962 | Stockhausen K, Barkin E. The Concept of Unity in Electronic Music Perspectives of New Music. 1: 39. DOI: 10.2307/832178 | 0.324 | |||
1960 | Newlin D, Eimert H, Stockhausen K. Die Reihe: A Periodical Devoted to Developments in Contemporary Music. Vol. III: Musical Craftsmanship Notes. 17: 580. DOI: 10.2307/892397 | 0.349 | |||
1959 | Jacobs A, Eimert H, Stockhausen K. Die Reihe (English Edition): Electronic Music The Musical Times. 100: 19. DOI: 10.2307/938099 | 0.337 | |||
1959 | Newlin D, Eimert H, Stockhausen K. Die Reihe: A Periodical Devoted to Developments in Contemporary Music. Vol. II: Anton Webern Notes. 16: 257. DOI: 10.2307/892743 | 0.325 | |||
1959 | Helm E, Eimert H, Stockhausen K. Die Reihe. Vol. I: Electronic Music@@@Die Reihe. Vol. II: Anton Webern Journal of Music Theory. 3: 155. DOI: 10.2307/843008 | 0.36 | |||
1958 | Newlin D, Eimert H, Stockhausen K. Die Reihe; A Periodical Devoted to Developments in Contemporary Music. Vol. I: Electronic Music Notes. 15: 405. DOI: 10.2307/892540 | 0.368 | |||
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