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| Pras A, Schober MF, Spiro N. (2017) What About Their Performance Do Free Jazz Improvisers Agree Upon? A Case Study. Frontiers in Psychology. 8: 966 |
| Pras A, Lavergne G. (2015) L’échantillonnage dans l’improvisation : Rencontre de deux instigateurs du free jazz avec un jeune artiste de la scène noise à New York Musicae Scientiae. 19: 433-451 |
| Pras A, Guastavino C. (2013) The impact of producers' comments and musicians' self-evaluation on perceived recording quality Journal of Music, Technology and Education. 6: 81-101 |
| Pras A, Cance C, Guastavino C. (2013) Record Producers' Best Practices For Artistic Direction-From Light Coaching To Deeper Collaboration With Musicians Journal of New Music Research. 42: 381-395 |
| Pras A, Guastavino C, Lavoie M. (2013) The impact of technological advances on recording studio practices Journal of the American Society For Information Science and Technology. 64: 612-626 |
| Pras A, Guastavino C. (2011) The role of music producers and sound engineers in the current recording context, as perceived by young professionals Musicae Scientiae. 15: 73-95 |
| Pras A, Guastavino C. (2011) The impact of producers' comments and musicians' self-evaluation on performance during recording sessions 131st Audio Engineering Society Convention 2011. 1: 327-336 |
| Pras A, Guastavino C. (2010) Sampling rate discrimination: 44.1 kHz vs. 88.2 kHz 128th Audio Engineering Society Convention 2010. 2: 1033-1040 |
| Pras A, Zimmerman R, Levitin D, et al. (2009) Subjective evaluation of mp3 compression for different musical genres 127th Audio Engineering Society Convention 2009. 1: 459-465 |
| Pras A, Guastavino C. (2009) Improving the sound quality of recordings through communication between musicians and sound engineers Proceedings of the 2009 International Computer Music Conference, Icmc 2009. 529-532 |