| Year |
Citation |
Score |
| 2024 |
Ozaki Y, Tierney A, Pfordresher PQ, McBride JM, Benetos E, Proutskova P, Chiba G, Liu F, Jacoby N, Purdy SC, Opondo P, Fitch WT, Hegde S, Rocamora M, Thorne R, et al. Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report. Science Advances. 10: eadm9797. PMID 38748798 DOI: 10.1126/sciadv.adm9797 |
0.352 |
|
| 2024 |
Van Hedger SC, Halpern AR, Vollweiler DJ, Smith EE, Pfordresher PQ. Is Hey Jude in the right key? Cognitive components of absolute pitch memory. Memory & Cognition. PMID 38347258 DOI: 10.3758/s13421-024-01530-x |
0.554 |
|
| 2023 |
Honda C, Pruitt TA, Greenspon EB, Liu F, Pfordresher PQ. The effect of musical training and language background on vocal imitation of pitch in speech and song. Journal of Experimental Psychology. Human Perception and Performance. PMID 37561528 DOI: 10.1037/xhp0001146 |
0.393 |
|
| 2022 |
Pfordresher PQ. A reversal of the song advantage in vocal pitch imitation. Jasa Express Letters. 2: 034401. PMID 36154635 DOI: 10.1121/10.0009729 |
0.415 |
|
| 2021 |
Halpern AR, Pfordresher PQ. What do less accurate singers remember? Pitch-matching ability and long-term memory for music. Attention, Perception & Psychophysics. PMID 34796466 DOI: 10.3758/s13414-021-02391-1 |
0.469 |
|
| 2021 |
Wang L, Pfordresher PQ, Jiang C, Liu F. Individuals with autism spectrum disorder are impaired in absolute but not relative pitch and duration matching in speech and song imitation. Autism Research : Official Journal of the International Society For Autism Research. PMID 34214243 DOI: 10.1002/aur.2569 |
0.376 |
|
| 2021 |
Pfordresher PQ, Greenspon EB, Friedman AL, Palmer C. Spontaneous Production Rates in Music and Speech. Frontiers in Psychology. 12: 611867. PMID 34135799 DOI: 10.3389/fpsyg.2021.611867 |
0.583 |
|
| 2021 |
Pfordresher PQ, Mantell JT, Pruitt TA. Effects of intention in the imitation of sung and spoken pitch. Psychological Research. PMID 34014375 DOI: 10.1007/s00426-021-01527-0 |
0.81 |
|
| 2020 |
Pfordresher PQ, Honda C, Greenspon E, Chow K. Generalization of novel sensorimotor associations among pianists and non-pianists: more evidence that musical training effects are constrained. Psychological Research. PMID 32488598 DOI: 10.1007/S00426-020-01362-9 |
0.324 |
|
| 2019 |
Scheurich R, Pfordresher PQ, Palmer C. Musical training enhances temporal adaptation of auditory-motor synchronization. Experimental Brain Research. PMID 31792555 DOI: 10.1007/S00221-019-05692-Y |
0.568 |
|
| 2019 |
Greenspon EB, Pfordresher PQ. Pitch-specific contributions of auditory imagery and auditory memory in vocal pitch imitation. Attention, Perception & Psychophysics. PMID 31286436 DOI: 10.3758/S13414-019-01799-0 |
0.503 |
|
| 2018 |
Pruitt TA, Halpern AR, Pfordresher PQ. Covert singing in anticipatory auditory imagery. Psychophysiology. e13297. PMID 30368823 DOI: 10.1111/Psyp.13297 |
0.565 |
|
| 2018 |
Pfordresher PQ, Chow K. A cost of musical training? Sensorimotor flexibility in musical sequence learning. Psychonomic Bulletin & Review. PMID 30284115 DOI: 10.3758/S13423-018-1535-5 |
0.336 |
|
| 2018 |
Larrouy-Maestri P, Pfordresher PQ. Pitch perception in music: Do scoops matter? Journal of Experimental Psychology. Human Perception and Performance. PMID 29975095 DOI: 10.1037/Xhp0000550 |
0.513 |
|
| 2017 |
Greenspon EB, Pfordresher PQ, Halpern AR. Pitch Imitation Ability in Mental Transformations of Melodies Music Perception. 34: 585-604. DOI: 10.1525/Mp.2017.34.5.585 |
0.58 |
|
| 2017 |
Demorest S, Nichols B, Pfordresher PQ. The effect of focused instruction on young children’s singing accuracy Psychology of Music. 46: 488-499. DOI: 10.1177/0305735617713120 |
0.363 |
|
| 2017 |
Brown S, Pfordresher PQ, Chow I. A musical model of speech rhythm. Psychomusicology: Music, Mind, and Brain. 27: 95-112. DOI: 10.1037/Pmu0000175 |
0.466 |
|
| 2017 |
Pfordresher PQ, Kobrina A. Sensitivity to meter in auditory feedback during music performance. Psychomusicology: Music, Mind, and Brain. 27: 54-62. DOI: 10.1037/Pmu0000166 |
0.559 |
|
| 2016 |
Demorest SM, Kelley J, Pfordresher PQ. Singing Ability, Musical Self-Concept, and Future Music Participation Journal of Research in Music Education. 64: 405-420. DOI: 10.1177/0022429416680096 |
0.382 |
|
| 2016 |
Pfordresher PQ, Brown S. Vocal mistuning reveals the origin of musical scales Journal of Cognitive Psychology. 1-18. DOI: 10.1080/20445911.2015.1132024 |
0.401 |
|
| 2015 |
Belyk M, Pfordresher PQ, Liotti M, Brown S. The Neural Basis of Vocal Pitch Imitation in Humans. Journal of Cognitive Neuroscience. 1-15. PMID 26696298 DOI: 10.1162/Jocn_A_00914 |
0.413 |
|
| 2015 |
Jebb AT, Pfordresher PQ. Exploring Perception-Action Relations in Music Production: The Asymmetric Effect of Tonal Class. Journal of Experimental Psychology. Human Perception and Performance. PMID 26594878 DOI: 10.1037/Xhp0000172 |
0.445 |
|
| 2015 |
Pfordresher PQ, Larrouy-Maestri P. On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation? Frontiers in Human Neuroscience. 9: 271. PMID 26029088 DOI: 10.3389/Fnhum.2015.00271 |
0.385 |
|
| 2015 |
Loui P, Demorest SM, Pfordresher PQ, Iyer J. Neurological and developmental approaches to poor pitch perception and production. Annals of the New York Academy of Sciences. 1337: 263-71. PMID 25773643 DOI: 10.1111/Nyas.12623 |
0.339 |
|
| 2015 |
Zamm A, Pfordresher PQ, Palmer C. Temporal coordination in joint music performance: effects of endogenous rhythms and auditory feedback. Experimental Brain Research. 233: 607-15. PMID 25399244 DOI: 10.1007/S00221-014-4140-5 |
0.793 |
|
| 2015 |
Pruitt TA, Pfordresher PQ. The role of auditory feedback in speech and song. Journal of Experimental Psychology. Human Perception and Performance. 41: 152-66. PMID 25384239 DOI: 10.1037/A0038285 |
0.52 |
|
| 2015 |
Demorest SM, Pfordresher PQ. Singing accuracy development from K-adult: A comparative study Music Perception. 32: 293-302. DOI: 10.1525/Mp.2015.32.3.293 |
0.382 |
|
| 2015 |
Demorest SM, Pfordresher PQ, Bella SD, Hutchins S, Loui P, Rutkowski J, Welch GF. Methodological perspectives on singing accuracy: An introduction to the special issue on singing accuracy (part 2) Music Perception. 32: 266-271. DOI: 10.1525/Mp.2015.32.3.266 |
0.708 |
|
| 2015 |
Pfordresher PQ, Halpern AR, Greenspon EB. A mechanism for sensorimotor translation in singing: The Multi-Modal Imagery Association (MMIA) model Music Perception. 32: 242-253. DOI: 10.1525/Mp.2015.32.3.242 |
0.532 |
|
| 2015 |
Pfordresher PQ, Demorest SM, Dalla Bella S, Hutchins S, Loui P, Rutkowski J, Welch GF. Theoretical perspectives on singing accuracy: An introduction to the special issue on singing accuracy (part 1) Music Perception. 32: 227-231. DOI: 10.1525/MP.2015.32.3.227 |
0.524 |
|
| 2014 |
Mathias B, Pfordresher PQ, Palmer C. Context and meter enhance long-range planning in music performance. Frontiers in Human Neuroscience. 8: 1040. PMID 25628550 DOI: 10.3389/Fnhum.2014.01040 |
0.718 |
|
| 2014 |
Pfordresher PQ, Beasley RT. Making and monitoring errors based on altered auditory feedback. Frontiers in Psychology. 5: 914. PMID 25191294 DOI: 10.3389/Fpsyg.2014.00914 |
0.496 |
|
| 2014 |
Pfordresher PQ, Mantell JT, Brown S, Zivadinov R, Cox JL. Brain responses to altered auditory feedback during musical keyboard production: an fMRI study. Brain Research. 1556: 28-37. PMID 24513403 DOI: 10.1016/J.Brainres.2014.02.004 |
0.781 |
|
| 2014 |
Pfordresher PQ, Mantell JT. Singing with yourself: evidence for an inverse modeling account of poor-pitch singing. Cognitive Psychology. 70: 31-57. PMID 24480454 DOI: 10.1016/J.Cogpsych.2013.12.005 |
0.795 |
|
| 2014 |
Pfordresher PQ. "Deafness" effects in detecting alterations to auditory feedback during sequence production. Psychological Research. 78: 96-112. PMID 23344903 DOI: 10.1007/S00426-013-0477-9 |
0.477 |
|
| 2014 |
Mercado E, Mantell JT, Pfordresher PQ. Imitating Sounds: A Cognitive Approach to Understanding Vocal Imitation Comparative Cognition & Behavior Reviews. 9: 17-74. DOI: 10.3819/Ccbr.2014.90002 |
0.766 |
|
| 2014 |
Acevedo S, Temperley D, Pfordresher PQ. Effects of metrical encoding on melody recognition Music Perception. 31: 372-386. DOI: 10.1525/Mp.2014.31.4.372 |
0.774 |
|
| 2013 |
Liu F, Jiang C, Pfordresher PQ, Mantell JT, Xu Y, Yang Y, Stewart L. Individuals with congenital amusia imitate pitches more accurately in singing than in speaking: implications for music and language processing. Attention, Perception & Psychophysics. 75: 1783-98. PMID 23877539 DOI: 10.3758/S13414-013-0506-1 |
0.796 |
|
| 2013 |
Mantell JT, Pfordresher PQ. Vocal imitation of song and speech. Cognition. 127: 177-202. PMID 23454792 DOI: 10.1016/J.Cognition.2012.12.008 |
0.802 |
|
| 2013 |
Pfordresher PQ, Halpern AR. Auditory imagery and the poor-pitch singer. Psychonomic Bulletin & Review. 20: 747-53. PMID 23413013 DOI: 10.3758/S13423-013-0401-8 |
0.629 |
|
| 2013 |
Kulpa JD, Pfordresher PQ. Effects of delayed auditory and visual feedback on sequence production. Experimental Brain Research. 224: 69-77. PMID 23283420 DOI: 10.1007/S00221-012-3289-Z |
0.405 |
|
| 2013 |
Wisniewski MG, Mantell JT, Pfordresher PQ. Transfer effects in the vocal imitation of speech and song. Psychomusicology: Music, Mind, and Brain. 23: 82-99. DOI: 10.1037/A0033299 |
0.801 |
|
| 2012 |
Prince JB, Pfordresher PQ. The role of pitch and temporal diversity in the perception and production of musical sequences. Acta Psychologica. 141: 184-98. PMID 22968192 DOI: 10.1016/J.Actpsy.2012.07.013 |
0.658 |
|
| 2012 |
Pfordresher PQ. Musical training and the role of auditory feedback during performance. Annals of the New York Academy of Sciences. 1252: 171-8. PMID 22524356 DOI: 10.1111/J.1749-6632.2011.06408.X |
0.443 |
|
| 2012 |
Altenmüller E, Demorest SM, Fujioka T, Halpern AR, Hannon EE, Loui P, Majno M, Oechslin MS, Osborne N, Overy K, Palmer C, Peretz I, Pfordresher PQ, Särkämö T, Wan CY, et al. Introduction to The neurosciences and music IV: learning and memory. Annals of the New York Academy of Sciences. 1252: 1-16. PMID 22524334 DOI: 10.1111/J.1749-6632.2012.06474.X |
0.62 |
|
| 2012 |
Pfordresher PQ, Mantell JT. Effects of altered auditory feedback across effector systems: production of melodies by keyboard and singing. Acta Psychologica. 139: 166-77. PMID 22100135 DOI: 10.1016/J.Actpsy.2011.10.009 |
0.779 |
|
| 2012 |
Couchman JJ, Beasley R, Pfordresher PQ. The experience of agency in sequence production with altered auditory feedback. Consciousness and Cognition. 21: 186-203. PMID 22056210 DOI: 10.1016/J.Concog.2011.10.007 |
0.517 |
|
| 2011 |
Giuliano RJ, Pfordresher PQ, Stanley EM, Narayana S, Wicha NY. Native experience with a tone language enhances pitch discrimination and the timing of neural responses to pitch change. Frontiers in Psychology. 2: 146. PMID 21886629 DOI: 10.3389/Fpsyg.2011.00146 |
0.463 |
|
| 2011 |
Pfordresher PQ, Kulpa JD. The dynamics of disruption from altered auditory feedback: Further evidence for a dissociation of sequencing and timing. Journal of Experimental Psychology. Human Perception and Performance. 37: 949-67. PMID 21480745 DOI: 10.1037/A0021435 |
0.488 |
|
| 2011 |
Pfordresher PQ, Dalla Bella S. Delayed auditory feedback and movement. Journal of Experimental Psychology. Human Perception and Performance. 37: 566-79. PMID 21463087 DOI: 10.1037/A0021487 |
0.426 |
|
| 2011 |
Pfordresher PQ, Keller PE, Koch I, Palmer C, Yildirim E. Activation of learned action sequences by auditory feedback. Psychonomic Bulletin & Review. 18: 544-9. PMID 21374093 DOI: 10.3758/S13423-011-0077-X |
0.555 |
|
| 2011 |
Pfordresher PQ, Kulpa JD. "The dynamics of disruption from altered auditory feedback: Further evidence for a dissociation of sequencing and timing": Correction to Pfordresher and Kulpa (2011). Journal of Experimental Psychology: Human Perception and Performance. 37: 1699-1699. DOI: 10.1037/A0026004 |
0.495 |
|
| 2010 |
Pfordresher PQ, Brown S, Meier KM, Belyk M, Liotti M. Imprecise singing is widespread. The Journal of the Acoustical Society of America. 128: 2182-90. PMID 20968388 DOI: 10.1121/1.3478782 |
0.442 |
|
| 2009 |
Pfordresher PQ, Brown S. Enhanced production and perception of musical pitch in tone language speakers. Attention, Perception & Psychophysics. 71: 1385-98. PMID 19633353 DOI: 10.3758/App.71.6.1385 |
0.458 |
|
| 2009 |
Brown S, Laird AR, Pfordresher PQ, Thelen SM, Turkeltaub P, Liotti M. The somatotopy of speech: phonation and articulation in the human motor cortex. Brain and Cognition. 70: 31-41. PMID 19162389 DOI: 10.1016/J.Bandc.2008.12.006 |
0.413 |
|
| 2008 |
Pfordresher PQ. Auditory feedback in music performance: the role of transition-based similarity. Journal of Experimental Psychology. Human Perception and Performance. 34: 708-25. PMID 18505333 DOI: 10.1037/0096-1523.34.3.708 |
0.437 |
|
| 2007 |
Pfordresher PQ, Palmer C, Jungers MK. Speed, accuracy, and serial order in sequence production. Cognitive Science. 31: 63-98. PMID 21635288 DOI: 10.1080/03640210709336985 |
0.779 |
|
| 2007 |
Pfordresher PQ, Benitez B. Temporal coordination between actions and sound during sequence production. Human Movement Science. 26: 742-56. PMID 17764772 DOI: 10.1016/J.Humov.2007.07.006 |
0.44 |
|
| 2007 |
Pfordresher PQ, Steven B. Poor-pitch singing in the absence of "tone deafness" Music Perception. 25: 95-115. DOI: 10.1525/Mp.2007.25.2.95 |
0.493 |
|
| 2006 |
Pfordresher PQ, Palmer C. Effects of hearing the past, present, or future during music performance. Perception & Psychophysics. 68: 362-76. PMID 16900830 DOI: 10.3758/Bf03193683 |
0.61 |
|
| 2006 |
Pfordresher PQ. Coordination of perception and action in music performance Advances in Cognitive Psychology. 2: 183-198. DOI: 10.2478/V10053-008-0054-8 |
0.489 |
|
| 2005 |
Pfordresher PQ. Auditory feedback in music performance: the role of melodic structure and musical skill. Journal of Experimental Psychology. Human Perception and Performance. 31: 1331-45. PMID 16366793 DOI: 10.1037/0096-1523.31.6.1331 |
0.493 |
|
| 2003 |
Palmer C, Pfordresher PQ. Incremental planning in sequence production. Psychological Review. 110: 683-712. PMID 14599238 DOI: 10.1037/0033-295X.110.4.683 |
0.54 |
|
| 2003 |
Pfordresher PQ. Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing. Journal of Experimental Psychology. Human Perception and Performance. 29: 949-64. PMID 14585016 DOI: 10.1037/0096-1523.29.5.949 |
0.436 |
|
| 2003 |
Pfordresher PQ. The Role of Melodic and Rhythmic Accents in Musical Structure Music Perception. 20: 431-464. DOI: 10.1525/Mp.2003.20.4.431 |
0.435 |
|
| 2002 |
Pfordresher PQ, Palmer C. Effects of delayed auditory feedback on timing of music performance. Psychological Research. 66: 71-9. PMID 11963280 DOI: 10.1007/S004260100075 |
0.587 |
|
| 1997 |
Jones MR, Pfordresher PQ. Tracking musical patterns using joint accent structure Canadian Journal of Experimental Psychology. 51: 271-290. DOI: 10.1037/1196-1961.51.4.271 |
0.575 |
|
| 1997 |
Jones MR, Pfordresher PQ. Tracking musical patterns using joint accent structure. Canadian Journal of Experimental Psychology/Revue Canadienne De Psychologie ExpéRimentale. 51: 271-291. DOI: 10.1037/1196-1961.51.4.271 |
0.42 |
|
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