| Year |
Citation |
Score |
| 2021 |
Hurwitz ER, Krumhansl CL. Shifting Listening Niches: Effects of the COVID-19 Pandemic. Frontiers in Psychology. 12: 648413. PMID 33981274 DOI: 10.3389/fpsyg.2021.648413 |
0.347 |
|
| 2019 |
Wen OX, Krumhansl CL. Perception of Pitch and Time in the Structurally Isomorphic Standard Rhythmic and Diatonic Scale Patterns Music & Science. 2: 205920431987330. DOI: 10.1177/2059204319873308 |
0.301 |
|
| 2017 |
Krumhansl CL. Listening Niches across a Century of Popular Music. Frontiers in Psychology. 8: 431. PMID 28424637 DOI: 10.3389/Fpsyg.2017.00431 |
0.451 |
|
| 2017 |
Wen OX, Krumhansl CL. Real-Time Responses to Stravinsky’s Symphonies of Wind Instruments Music Perception. 35: 60-76. DOI: 10.1525/Mp.2017.35.1.60 |
0.45 |
|
| 2016 |
Large EW, Kim JC, Flaig NK, Bharucha JJ, Krumhansl CL. A neurodynamic account of musical tonality Music Perception. 33: 319-331. DOI: 10.1525/Mp.2016.33.3.319 |
0.743 |
|
| 2016 |
Isbilen ES, Krumhansl CL. The color of music: Emotion-mediated associations to Bach’s Well-tempered Clavier. Psychomusicology: Music, Mind, and Brain. 26: 149-161. DOI: 10.1037/Pmu0000147 |
0.411 |
|
| 2015 |
Krumhansl CL. Statistics, Structure, and Style in Music Music Perception. 33: 20-31. DOI: 10.1525/Mp.2015.33.1.20 |
0.445 |
|
| 2014 |
Devaney J, Loui P, Hafter E, Krumhansl CL. David Wessel (October 6, 1942 – October 13, 2014): Tributes and remembrances. Psychomusicology: Music, Mind, and Brain. 24: 274-278. DOI: 10.1037/Pmu0000061 |
0.41 |
|
| 2013 |
Krumhansl CL, Zupnick JA. Cascading reminiscence bumps in popular music. Psychological Science. 24: 2057-68. PMID 24006129 DOI: 10.1177/0956797613486486 |
0.371 |
|
| 2011 |
Vines BW, Krumhansl CL, Wanderley MM, Dalca IM, Levitin DJ. Music to my eyes: cross-modal interactions in the perception of emotions in musical performance. Cognition. 118: 157-70. PMID 21146164 DOI: 10.1016/J.Cognition.2010.11.010 |
0.396 |
|
| 2011 |
Huang J, Krumhansl CL. What does seeing the performer add? it depends on musical style, amount of stage behavior, and audience expertise Musicae Scientiae. 15: 343-364. DOI: 10.1177/1029864911414172 |
0.317 |
|
| 2010 |
Hove MJ, Spivey MJ, Krumhansl CL. Compatibility of motion facilitates visuomotor synchronization. Journal of Experimental Psychology. Human Perception and Performance. 36: 1525-34. PMID 20695698 DOI: 10.1037/A0019059 |
0.705 |
|
| 2010 |
Hove MJ, Sutherland ME, Krumhansl CL. Ethnicity effects in relative pitch. Psychonomic Bulletin & Review. 17: 310-6. PMID 20551351 DOI: 10.3758/Pbr.17.3.310 |
0.706 |
|
| 2010 |
Krumhansl CL. Cognitive Foundations of Musical Pitch Cognitive Foundations of Musical Pitch. 1-307. DOI: 10.2307/1575725 |
0.302 |
|
| 2010 |
Krumhansl CL. Plink: "Thin slices" of music Music Perception. 27: 337-354. DOI: 10.1525/Mp.2010.27.5.337 |
0.368 |
|
| 2008 |
Krumhansl CL, Agres KR. Musical expectancy: The influence of musical structure on emotional response Behavioral and Brain Sciences. 31: 584-585. DOI: 10.1017/S0140525X08005384 |
0.342 |
|
| 2007 |
Hove MJ, Keller PE, Krumhansl CL. Sensorimotor synchronization with chords containing tone-onset asynchronies. Perception & Psychophysics. 69: 699-708. PMID 17929693 DOI: 10.3758/Bf03193772 |
0.716 |
|
| 2007 |
Lerdahl F, Krumhansl CL. Modeling tonal tension Music Perception. 24: 329-366. DOI: 10.1525/Mp.2007.24.4.329 |
0.351 |
|
| 2006 |
Vines BW, Krumhansl CL, Wanderley MM, Levitin DJ. Cross-modal interactions in the perception of musical performance. Cognition. 101: 80-113. PMID 16289067 DOI: 10.1016/J.Cognition.2005.09.003 |
0.481 |
|
| 2006 |
Rosenbaum JE, Krumhansl CL, Hove MJ. Fine‐tuning the acoustics of libraries at colleges and universities The Journal of the Acoustical Society of America. 119: 3401-3401. DOI: 10.1121/1.4786743 |
0.67 |
|
| 2005 |
Vines BW, Krumhansl CL, Wanderley MM, Dalca IM, Levitin DJ. Dimensions of emotion in expressive musical performance. Annals of the New York Academy of Sciences. 1060: 462-6. PMID 16597804 DOI: 10.1196/Annals.1360.052 |
0.335 |
|
| 2005 |
KRUMHANSL CL. Part I: Ethology/Evolution--Do Animals Have Music or Something Else?: Introduction Annals of the New York Academy of Sciences. 1060: 1-2. DOI: 10.1196/Annals.1360.059 |
0.31 |
|
| 2004 |
Hannon EE, Snyder JS, Eerola T, Krumhansl CL. The role of melodic and temporal cues in perceiving musical meter. Journal of Experimental Psychology. Human Perception and Performance. 30: 956-74. PMID 15462633 DOI: 10.1037/0096-1523.30.5.956 |
0.67 |
|
| 2004 |
Krumhansl CL. The Cognition of Tonality – as We Know it Today Journal of New Music Research. 33: 253-268. DOI: 10.1080/0929821042000317831 |
0.371 |
|
| 2003 |
Krumhansl CL. Experimental strategies for understanding the role of experience in music cognition. Annals of the New York Academy of Sciences. 999: 414-28. PMID 14681166 DOI: 10.1196/Annals.1284.052 |
0.466 |
|
| 2003 |
Krumhansl CL. Roundtable I: Dissecting the perceptual components of music. Introduction. Annals of the New York Academy of Sciences. 999: 103-5. PMID 14681121 DOI: 10.1196/Annals.1284.009 |
0.371 |
|
| 2003 |
Toiviainen P, Krumhansl CL. Measuring and modeling real-time responses to music: the dynamics of tonality induction. Perception. 32: 741-66. PMID 12892434 DOI: 10.1068/P3312 |
0.39 |
|
| 2002 |
Zatorre RJ, Krumhansl CL. Neuroscience. Mental models and musical minds. Science (New York, N.Y.). 298: 2138-9. PMID 12481121 DOI: 10.1126/Science.1080006 |
0.3 |
|
| 2002 |
Krumhansl CL. Music: A link between cognition and emotion Current Directions in Psychological Science. 11: 45-50. DOI: 10.1111/1467-8721.00165 |
0.408 |
|
| 2001 |
Gray PM, Krause B, Atema J, Payne R, Krumhansl C, Baptista L. Biology and music. The music of nature. Science (New York, N.Y.). 291: 52-4. PMID 11192008 DOI: 10.1126/Science.10.1126/Science.1056960 |
0.365 |
|
| 2001 |
Snyder J, Krumhansl CL. Tapping to ragtime: cues to pulse finding Music Perception. 18: 455-489. DOI: 10.1525/Mp.2001.18.4.455 |
0.635 |
|
| 2000 |
Krumhansl CL, Toivanen P, Eerola T, Toiviainen P, Järvinen T, Louhivuori J. Cross-cultural music cognition: cognitive methodology applied to North Sami yoiks. Cognition. 76: 13-58. PMID 10822042 DOI: 10.1016/S0010-0277(00)00068-8 |
0.459 |
|
| 2000 |
Krumhansl CL. Rhythm and pitch in music cognition. Psychological Bulletin. 126: 159-79. PMID 10668354 DOI: 10.1037/0033-2909.126.1.159 |
0.458 |
|
| 2000 |
Krumhansl CL. Tonality induction: A statistical approach applied cross-culturally Music Perception. 17: 461-479. DOI: 10.2307/40285829 |
0.334 |
|
| 1999 |
Krumhansl CL, Louhivuori J, Toiviainen P, Järvinen T, Eerola T. Melodic expectation in finnish spiritual folk hymns: Convergence of statistical, behavioral, and computational approaches Music Perception. 17: 151-195. DOI: 10.2307/40285890 |
0.374 |
|
| 1998 |
Krumhansl CL. Topic in music: An empirical study of memorability, openness, and emotion in Mozart's String Quintet in C major and Beethoven's String Quartet in a minor Music Perception. 16: 119-134. DOI: 10.2307/40285781 |
0.402 |
|
| 1997 |
Krumhansl CL. An exploratory study of musical emotions and psychophysiology. Canadian Journal of Experimental Psychology = Revue Canadienne De Psychologie ExpéRimentale. 51: 336-53. PMID 9606949 DOI: 10.1037/1196-1961.51.4.336 |
0.318 |
|
| 1997 |
Krumhansl CL, Schenck DL. Can Dance Reflect the Structural and Expressive Qualities of Music? A Perceptual Experiment on Balanchine's Choreography of Mozart's Divertimento No. 15 Musicae Scientiae. 1: 63-85. DOI: 10.1177/102986499700100105 |
0.441 |
|
| 1997 |
Krumhansl C. Effects of perceptual organization and musical form on melodic expectancies Lecture Notes in Computer Science (Including Subseries Lecture Notes in Artificial Intelligence and Lecture Notes in Bioinformatics). 1317: 294-320. DOI: 10.1007/Bfb0034122 |
0.426 |
|
| 1996 |
Krumhansl CL. A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas Music Perception. 13: 401-432. DOI: 10.2307/40286177 |
0.416 |
|
| 1995 |
Krumhansl CL. Music Psychology and Music Theory: Problems and Prospects Music Theory Spectrum. 17: 53-80. DOI: 10.2307/745764 |
0.454 |
|
| 1993 |
Jusczyk PW, Krumhansl CL. Pitch and rhythmic patterns affecting infants' sensitivity to musical phrase structure. Journal of Experimental Psychology. Human Perception and Performance. 19: 627-40. PMID 8331317 DOI: 10.1037//0096-1523.19.3.627 |
0.396 |
|
| 1993 |
Iverson P, Krumhansl CL. Isolating the dynamic attributes of musical timbre. The Journal of the Acoustical Society of America. 94: 2595-603. PMID 8270737 DOI: 10.1121/1.407371 |
0.471 |
|
| 1992 |
Krumhansl CL, Iverson P. Perceptual interactions between musical pitch and timbre. Journal of Experimental Psychology. Human Perception and Performance. 18: 739-51. PMID 1500873 DOI: 10.1037/0096-1523.18.3.739 |
0.494 |
|
| 1991 |
Krumhansl CL. Music psychology:tonal structures in perception and memory. Annual Review of Psychology. 42: 277-303. PMID 2018395 DOI: 10.1146/Annurev.Ps.42.020191.001425 |
0.382 |
|
| 1991 |
Krumhansl CL. Memory for musical surface. Memory & Cognition. 19: 401-11. PMID 1895950 DOI: 10.3758/Bf03197145 |
0.378 |
|
| 1990 |
Palmer C, Krumhansl CL. Mental representations for musical meter. Journal of Experimental Psychology. Human Perception and Performance. 16: 728-41. PMID 2148588 DOI: 10.1037/0096-1523.16.4.728 |
0.598 |
|
| 1990 |
Krumhansl CL. Tonal Hierarchies and Rare Intervals in Music Cognition Music Perception. 7: 309-324. DOI: 10.2307/40285467 |
0.459 |
|
| 1990 |
Clarke EF, Krumhansl CL. Perceiving Musical Time Music Perception. 7: 213-251. DOI: 10.2307/40285462 |
0.432 |
|
| 1990 |
Krumhansl CL, Jusczyk PW. Infants' perception of phrase structure in music Psychological Science. 1: 70-73. DOI: 10.1111/J.1467-9280.1990.Tb00070.X |
0.369 |
|
| 1989 |
Iverson P, Krumhansl C. Pitch and timbre interaction in isolated tones and in sequences The Journal of the Acoustical Society of America. 86: S58-S58. DOI: 10.1121/1.2027567 |
0.374 |
|
| 1989 |
Krumhansl C. Issues in theoretical and experimental approaches to research on listening and comprehension Contemporary Music Review. 4: 237-245. DOI: 10.1080/07494468900640321 |
0.378 |
|
| 1987 |
Palmer C, Krumhansl CL. Pitch and temporal contributions to musical phrase perception: effects of harmony, performance timing, and familiarity. Perception & Psychophysics. 41: 505-18. PMID 3615147 DOI: 10.3758/Bf03210485 |
0.564 |
|
| 1987 |
Palmer C, Krumhansl CL. Independent temporal and pitch structures in determination of musical phrases. Journal of Experimental Psychology. Human Perception and Performance. 13: 116-26. PMID 2951485 DOI: 10.1037/0096-1523.13.1.116 |
0.545 |
|
| 1987 |
Krumhansl CL, Sandell GJ, Sergeant DC. The Perception of Tone Hierarchies and Mirror Forms in Twelve-Tone Serial Music Music Perception: An Interdisciplinary Journal. 5: 31-77. DOI: 10.2307/40285385 |
0.518 |
|
| 1986 |
Krumhansl CL, Schmuckler MA. The Petroushka Chord: A Perceptual Investigation Music Perception. 4: 153-184. DOI: 10.2307/40285359 |
0.704 |
|
| 1984 |
Castellano MA, Bharucha JJ, Krumhansl CL. Tonal hierarchies in the music of north India. Journal of Experimental Psychology. General. 113: 394-412. PMID 6237169 DOI: 10.1037//0096-3445.113.3.394 |
0.729 |
|
| 1983 |
Bharucha J, Krumhansl CL. The representation of harmonic structure in music: hierarchies of stability as a function of context. Cognition. 13: 63-102. PMID 6681743 DOI: 10.1016/0010-0277(83)90003-3 |
0.694 |
|
| 1983 |
Krumhansl CL, Castellano MA. Dynamic processes in music perception. Memory & Cognition. 11: 325-34. PMID 6633249 DOI: 10.3758/Bf03202445 |
0.464 |
|
| 1983 |
Krumhansl CL. Perceptual Structures for Tonal Music Music Perception. 1: 28-62. DOI: 10.2307/40285249 |
0.479 |
|
| 1982 |
Krumhansl CL. Music and psychology. Science (New York, N.Y.). 218: 561. PMID 17842058 DOI: 10.1126/Science.218.4572.561 |
0.375 |
|
| 1982 |
Krumhansl CL. Abrupt changes in visual stimulation enhance processing of form and location information. Perception & Psychophysics. 32: 511-23. PMID 7167348 DOI: 10.3758/Bf03204204 |
0.356 |
|
| 1982 |
Krumhansl CL, Bharucha J, Castellano MA. Key distance effects on perceived harmonic structure in music. Perception & Psychophysics. 32: 96-108. PMID 7145595 DOI: 10.3758/Bf03204269 |
0.69 |
|
| 1982 |
Krumhansl CL, Kessler EJ. Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. Psychological Review. 89: 334-68. PMID 7134332 DOI: 10.1037/0033-295X.89.4.334 |
0.519 |
|
| 1982 |
Krumhansl CL, Keil FC. Acquisition of the hierarchy of tonal functions in music. Memory & Cognition. 10: 243-51. PMID 7121246 DOI: 10.3758/Bf03197636 |
0.489 |
|
| 1982 |
Krumhansl CL, Bharucha JJ, Kessler EJ. Perceived harmonic structure of chords in three related musical keys. Journal of Experimental Psychology. Human Perception and Performance. 8: 24-36. PMID 6460082 DOI: 10.1037//0096-1523.8.1.24 |
0.693 |
|
| 1982 |
Krumhansl CL. Musical key structure and its influence on perceived harmonic relations The Journal of the Acoustical Society of America. 72: S11-S11. DOI: 10.1121/1.2019730 |
0.464 |
|
| 1979 |
Krumhansl CL, Shepard RN. Quantification of the hierarchy of tonal functions within a diatonic context. Journal of Experimental Psychology. Human Perception and Performance. 5: 579-94. PMID 528960 DOI: 10.1037//0096-1523.5.4.579 |
0.653 |
|
| 1979 |
Krumhansl CL. The psychological representation of musical pitch in a tonal context Cognitive Psychology. 11: 346-374. DOI: 10.1016/0010-0285(79)90016-1 |
0.327 |
|
| 1978 |
Krumhansl CL. Concerning the applicability of geometric models to similarity data: The interrelationship between similarity and spatial density Psychological Review. 85: 445-463. DOI: 10.1037/0033-295X.85.5.445 |
0.329 |
|
| 1977 |
Krumhansl CL. Naming and locating simultaneously and sequentially presented letters Perception & Psychophysics. 22: 293-302. DOI: 10.3758/Bf03199693 |
0.376 |
|
| 1976 |
Krumhansl CL, Mohs RC, Atkinson RC. Sequential search processes in long-term memory. Memory & Cognition. 4: 401-8. PMID 21287381 DOI: 10.3758/Bf03213196 |
0.301 |
|
| 1976 |
Krumhansl CL, Thomas EAC. Extracting identity and location information from briefly presented letter arrays Perception & Psychophysics. 20: 243-258. DOI: 10.3758/Bf03199450 |
0.324 |
|
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