| Year |
Citation |
Score |
| 2013 |
Rentschler E. The surveillance Camera's Quarry in Hochhäusler's eine minute dunkel German Studies Review. 36: 635-642. DOI: 10.1353/Gsr.2013.0111 |
0.413 |
|
| 2012 |
Rentschler E. The situation is hopeless, but not desperate: UFA's early sound film musicals Generic Histories of German Cinema: Genre and Its Deviations. 91-108. |
0.351 |
|
| 2010 |
Rentschler E. The place of rubble in the trümmerfilm New German Critique. 9-30. DOI: 10.1215/0094033X-2010-002 |
0.391 |
|
| 2002 |
Rentschler E. Postwall Prospects: An Introduction New German Critique. 3. DOI: 10.2307/3211133 |
0.419 |
|
| 2001 |
Rentschler E. The Films of Fritz Lang: Allegories of Vision and Modernity (review) Modernism/Modernity. 8: 689-691. DOI: 10.1353/Mod.2001.0093 |
0.384 |
|
| 1992 |
McCormick RW, Rentschler E. The Films of G. W. Pabst: An Extraterritorial Cinema German Studies Review. 15: 220. DOI: 10.2307/1431207 |
0.366 |
|
| 1991 |
Gemunden G, Elsaesser T, Pflaum HG, Picht R, Helt RC, Richter R, Liebman S, Hansen M, Huyssen A, Jameson F, Schlupmann H, Kluge A, Corrigan T, Koch G, Rentschler E, et al. Aufzeichnungen zum Neuen deutschen Film@@@The New German Cinema: A History@@@Germany on Film: Theme and Content in the Cinema of the Federal Republic of Germany@@@October 46 (Fall 1988): Special Issue on Alexander Kluge@@@New German Critique 49 (Winter 1990): Special Issue on Alexander Kluge@@@Wide Angle 12.1 (1990): Special Issue on "The Other Fassbinder" The German Quarterly. 64: 55. DOI: 10.2307/407305 |
0.398 |
|
| 1990 |
Rentschler E. Mountains and Modernity: Relocating the Bergfilm New German Critique. 137. DOI: 10.2307/488175 |
0.38 |
|
| 1989 |
Rentschler E. Fatal Attractions: Leni Riefenstahl's "The Blue Light" October. 48: 46. DOI: 10.2307/778948 |
0.422 |
|
| 1987 |
Mueller R, Rentschler E. German Film and Literature: Adaptations and Transformations Theatre Journal. 39: 405. DOI: 10.2307/3208172 |
0.369 |
|
| 1987 |
Birgel FA, Rentschler E. German Film and Literature: Adaptations and Transformations German Studies Review. 12: 210. DOI: 10.2307/1430343 |
0.369 |
|
| 1986 |
Caltvedt L, Rentschler E. West German Film in the Course of Time. Reflections on the Twenty Years since Oberhausen The German Quarterly. 59: 175. DOI: 10.2307/406251 |
0.382 |
|
| 1985 |
Rentschler E. Terms of Dismemberment: The Body in/and/of Fassbinder's Berlin Alexanderplatz (1980) New German Critique. 194. DOI: 10.2307/488345 |
0.373 |
|
| 1985 |
Rentschler E. The Use and Abuse of Memory: New German Film and the Discourse of Bitburg New German Critique. 67. DOI: 10.2307/488302 |
0.304 |
|
| 1984 |
Rentschler E. Kluge, Film History, and Eigensinn: A Taking of Stock from the Distance New German Critique. 109. DOI: 10.2307/487891 |
0.435 |
|
| 1984 |
Rentschler E. How American Is It: The U. S. as Image and Imaginary in German Film The German Quarterly. 57: 603. DOI: 10.2307/404701 |
0.381 |
|
| 1981 |
Rentschler E. American Friends and New German Cinema: Patterns of Reception New German Critique. 7. DOI: 10.2307/488041 |
0.407 |
|
| 1980 |
Rentschler E. Reopening the Cabinet of Dr. Kracauer: Teaching German Film as Film The Modern Language Journal. 64: 318-328. DOI: 10.1111/J.1540-4781.1980.Tb05199.X |
0.416 |
|
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