Year | Citation | Score | |||
---|---|---|---|---|---|
1987 | Elgin CZ, Goodman N. Changing The Subject The Journal of Aesthetics and Art Criticism. 46: 219. DOI: 10.2307/431278 | 0.306 | |||
1983 | Goodman N. Notes on the well-made world Erkenntnis. 19: 99-107. DOI: 10.1007/Bf00174777 | 0.314 | |||
1979 | O'Neill BC, Goodman N. Languages of art : an approach to a theory of symbols Contemporary Sociology. 8: 319. DOI: 10.2307/2066203 | 0.331 | |||
1979 | Goodman N. Metaphor as Moonlighting Critical Inquiry. 6: 125-130. DOI: 10.1086/448032 | 0.338 | |||
1974 | Thompson M, Goodman N, Brown CS. Languages of Art: An Approach to a Theory of Symbols@@@Laws of Form Leonardo. 7: 175. DOI: 10.2307/1572812 | 0.317 | |||
1971 | Barnes A, Goodman N. Languages of Art: An Approach to a Theory of Symbols Perspectives of New Music. 9: 330. DOI: 10.2307/832151 | 0.305 | |||
1971 | O'Neill BC, Goodman N. Languages of Art: An Approach to a Theory of Symbols. The Philosophical Quarterly. 21: 361. DOI: 10.2307/2218662 | 0.305 | |||
1971 | Goodman N. On J. J. Gibson's New Perspective Leonardo. 4: 359-360. DOI: 10.2307/1572510 | 0.332 | |||
1970 | Zucker WM, Goodman N. Languages of Art, an Approach to a Theory of Symbols Art Bulletin. 52: 223. DOI: 10.2307/3048723 | 0.305 | |||
1967 | Goodman N. The Epistemological Argument Synthese. 17: 102-107. DOI: 10.1007/978-94-010-3508-8_6 | 0.311 | |||
1949 | Goodman N. On likeness of meaning Analysis (United Kingdom). 10: 1-7. DOI: 10.1093/Analys/10.1.1 | 0.316 | |||
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